Tag Archives: national theatre scotland
When people ask me about the Sustainable AmbITion strand of the Make:IT:Happen fund (part of the AmbITion Scotland programme designed and delivered by Rudman Consulting, funded by The National lottery via Creative Scotland) they are often curious about the sort of projects other arts, cultural and heritage organisations have undertaken where digital technologies are used to assist environmental sustainability. To get your creative juices flowing, here are some of the examples I usually share – please add others as a comment to this post as you spot them!
Regional Screen Scotland is in receipt of the first Sustainable AmbITion grant. Screen Machine is an 80-seat, air conditioned and 3D-ready mobile cinema which brings the latest films to remote and rural areas of Scotland. The Screen Machine delivers an important social role in taking new film releases to some of the most rural Scottish communities. Measuring the emissions of a programme will help to raise understanding of the low carbon agenda and also identify how Regional Screen Scotland can help manage and reduce emissions across its portfolio of activity. Digital technologies will be used to gather data from audiences and to create the algorithms and formulas for calculation of the CO2 footprint of audience and Screen Machine journeys.
Artistic content and practice is going online en masse in May.
The Space has announced the 53 digital commissions that will go online between May and October this year. #thespacearts is a pop up platform that will provide interactive, engaging arts content online, on connected TV and on tablets and mobile to coincide with the Olympics and Cultural Olympiad. The Space is a £3.5m joint project between Arts Council England and BBC, and you can find out a little about all the commissions, which I’ll be really excited to see!
Its interesting that the competition, like NESTA’s £0.5m Digital R&D fund competition in England, was massively oversubscribed. 750 Expressions of Interest were submitted to ACE (490+ were submitted to NESTA), and in total, 61 ACE and NESTA projects in England have been given a chance to develop with £4m shared between them – 1179 have not.
So this is digital content by the chosen few, creating a fabulous showcase for England that will be available globally. But its not content by anyone/any cultural organisation in England for everyone. The sheer numbers of ideas presented to both these competitions proves to me that there is great hunger for digital development opportunities across the broad cultural sector, and that the cultural sector understands the opportunities for increasing reach, scale, impact and legacy that digitising content encourages.
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[Update 10.06.2012 – Five Minute Theatre wins a Critics Award for Theatre in Scotland (CATS) – category best technological production.] The Stage quotes judge Robert Dawson Scott, theatre critic of The Times: “For once, it wasn’t the pin point accuracy or the polished slickness of the endeavour that impressed: it was the sheer scale of the ambition which made Five Minute Theatre – 24 hours of uninterrupted, brand new theatre, streamed live from all over Scotland, to the world – such an astonishing technical triumph.”
Five Minute Theatre in an Hour!, is an AmbITion Scotland webinar, that explored the digitisation of live theatre content. Five Minute Theatre was an extraordinary piece of virtual and live theatre – work that I did as an Envirodigital branded project: working as producers together with National Theatre Scotland. Watch the case study as told by project creator Marianne Maxwell, National Theatre Scotland; media partner Robert Dawson Scott, STV and The Times theatre critic; and technical consultant/producer Hannah Rudman, Envirodigital, to find more out about this extraordinary virtual and live production.
In total during Five Minute Theatre, a twitter trend was created (#fiveminutetheatre was the top trend in Glasgow on the day) and there were over 6000 hours of theatre viewed online. To put that into context: NTS’s July touring production, Knives in Hens is 1.5 hour viewer hours. 6000 viewer hours online is therefore equivalent to 4000 people watching a one and a half hr production (that’s equivalent to around a sold-out 2 1/2 week run at a venue like The Traverse – a midscale scale venue).
NATIONAL THEATRE OF SCOTLAND MARKS ITS 5TH BIRTHDAY WITH A VIRTUAL 24 HOUR THEATRE PROJECT
Today, 25th February, 2011, the National Theatre of Scotland marks its fifth birthday by opening public submissions for a nationwide virtual theatre project as well as announcing details of a series of public platforms aimed at provoking and facilitating cultural debate.
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